Features

Back and Sides: Ziricote Wood, multiple Bloodwood binding with bounded heal cap,
Top: Western Red Cedar
African Blackwood Bridge
Neck: Mahogany V-Jointed headstock
Scale: 650 mm
Fingerboard: West African Ebony
Machine Heads: Premium Gotoh
Finish: French Polish
Width at nut: 53 mm

Features:

Back and Sides: Old Growth Brazilian Rosewood, 7 Ply Blood Wood Binding, bounded heal cap
Top: Adirondack Red Spruce
Top: Rodriguez Bracing with open harmonic bars
West African Ebony Bridge
Spruce and Cedar tentellones used around top and on all top brace ends
Solid Cedar lining back and sides
Neck: Cedar, Traditional Spanish Heel and V jointed Head Stock
Neck thickness 21 mm at first fret, 23mm at tenth fret
Scale: 650 mm
Gold Evo fret wire
Fingerboard: West African Ebony
Machine Heads: Alessi
Finish: French Polish
Width at nut: 53 mm tapered to 63 mm at 12th fret

Features:

Back and Sides: Indian Rosewood
Top: Adirondack Spruce
Bridge: Indian Rosewood
Neck: Cedar
Scale: 650 mm
Fingerboard: Ebony
Machine Heads: Gotoh
Finish: French Polish
Width at nut: 52 mm

This Guitar has Barbera Transducer System

Features:
Back and Sides: Old Growth Brazilian Rosewood, 7 Ply Blood Wood Binding, bounded heal cap
Top: Adirondack Red Spruce
Top: Rodriguez Bracing with open harmonic bars
West African Ebony Bridge
Spruce and Cedar tentellones used around top and on all top brace ends
Solid Cedar lining back and sides
Neck: Cedar, Traditional Spanish Heel and V jointed Head Stock
Neck thickness 21 mm at first fret, 23mm at tenth fret
Scale: 650 mm
Gold Evo fret wire
Fingerboard: West African Ebony
Machine Heads: Alessi
Finish: French Polish
Width at nut: 53 mm tapered to 63 mm at 12th fret

This instrument has all the features of the Concert Classical Guitar. It was made for the GFA 2010 Convention in Austin Texas, and it will be my candidate for the Luthier showcase.
It’s easy to play with great projection, volume and sustain. Piercing treble cut through and it can accommodate very low playing action for this very light Guitar. Thank you for looking at my website.

“You’ve got to play it to believe it.”

Back and Sides: Big Leaf Maple, Blood Wood Binding
Top: Italian Spruce
Top: Radial Bracing with open harmonic bars
Brazilian Rosewood Bridge, Tie Block Inlay with White Mother of Pearl
Spruce and Cedar tentellones used around top and on all top brace ends
Solid Cedar lining back and sides
Neck: Cedar, Traditional Spanish Heel and V jointed Head Stock
Neck thickness 21 mm at first fret, 23mm at tenth fret
Scale: 650 mm
Gold Evo fret wire
Fingerboard: West African Ebony
Machine Heads: Sloane
Finish: French Polish
Width at nut: 52 mm tapered to 63 mm at 12th fret

Features:

Back and Sides: Cocobolo Rosewood, Blood Wood Binding
Top: Western Red Cedar
Top: Radial Bracing with open harmonic bars
Brazilian Rosewood Bridge, Tie Block Inlay with White Mother of Pearl
Spruce and Cedar tentellones used around top and on all top brace ends
Solid Cedar lining back and sides
Neck: Cedar, Traditional Spanish Heel and V jointed Head Stock
Neck thickness 21 mm at first fret ,23mm at tenth fret
Scale: 650 mm
Gold Evo fret wire
Fingerboard: West African Ebony
Machine Heads: Alessi Tuners
Finish:French Polish
Width at nut: 52 mm tapered to 63 mm at 12th fret

Features:
Back and Sides: Cocobolo Rosewood, Brazilian Rosewood Binding
Top: Aged 25 years old Adirondack Spruce
Top: Radial Bracing with open harmonic bars
Brazilian Rosewood Bridge, Tie Block Inlay with White Mother of Pearl
Spruce and Cedar tentellones used around top and on all top brace ends
Solid Cedar lining back and sides
Neck: Cedar, Traditional Spanish Heel and V jointed Head Stock
Neck thickness 21 mm at first fret ,23mm at tenth fret
Scale: 650 mm
Gold Evo fret wire
Fingerboard: West African Ebony
Machine Heads: Alessi Tuners with Ivory Kidney buttons
Finish: Lacquer back and sides, Top French Polish
Width at nut: 52 mm tapered to 63 mm at 12th fret

Features:

Back and Sides: Cocobolo Rosewood, Blood Wood Binding
Top: Western Red Cedar Master Grade
Top: Radial Bracing with open harmonic bars
Brazilian Rosewood Bridge, Tie Block Inlay with White Mother of Pearl
Spruce and Cedar tentellones used around top and on all top brace ends
Solid Cedar lining back and sides
Neck: Cedar, Traditional Spanish Heal and V jointed Head Stock
Neck thickness 21 mm at first fret ,23mm at tenth fret
Scale: 640 mm
Gold Evo fret wire
Fingerboard: West African Ebony
Machine Heads: Sloane
Width at nut: 52 mm tapered to 63 mm at 12th fret
Finish: Lacquer back and sides, Top French Polish

Features

Back and Sides: Big Leaf Maple, Blood Wood binding
Top: 25 years old Adirondack Red Spruce
Top: Radial Bracing with open harmonic bars
Brazilian Rosewood Bridge, Tie Block Inlay with Blue Abalone Pearl
Spruce and Cedar tentellones used around top and on all top brace ends
Neck: Honduras Mahogany, Traditional Spanish Heal and V jointed Head Stock
Neck thickness 21 mm at first fret ,23mm at tenth fret
Scale: 650 mm
Solid Cedar lining back and sides
Fingerboard: West African Ebony
Machine Heads: Sloane
Finish: French Polish
Width at nut: 52 mm tapered to 63 mm at 12th fret

I chose this beautiful Guitar for competition at the GFA Ithaca International Convention & Competition 2009.

Features:

Back and Sides: Indian Rosewood, Indian Rosewood binding
Top: Engelman Spruce
Neck: Honduras Mahogany
Scale: 640 mm
Fingerboard: Ebony
Machine Heads: Gotoh
Finish: Lacquer
Width at neck: 52 mm
Upper Bound: 280 mm
Lower Bound: 368 mm
Waist: 235 mm
Body Length: 480 mm
Body depth at neck: 87 mm
Body depth at tail: 100 mm
Lattice Bracing