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Features:
Back and Sides: Old Growth Brazilian Rosewood, 7 Ply Blood Wood Binding, bounded heal cap
Top: Adirondack Red Spruce
Top: Rodriguez Bracing with open harmonic bars
West African Ebony Bridge
Spruce and Cedar tentellones used around top and on all top brace ends
Solid Cedar lining back and sides
Neck: Cedar, Traditional Spanish Heel and V jointed Head Stock
Neck thickness 21 mm at first fret, 23mm at tenth fret
Scale: 650 mm
Gold Evo fret wire
Fingerboard: West African Ebony
Machine Heads: Alessi
Finish: French Polish
Width at nut: 53 mm tapered to 63 mm at 12th fret

This instrument has all the features of the Concert Classical Guitar. It was made for the GFA 2010 Convention in Austin Texas, and it will be my candidate for the Luthier showcase.
It’s easy to play with great projection, volume and sustain. Piercing treble cut through and it can accommodate very low playing action for this very light Guitar. Soundboard is about 1.6mm and back is somewhere about 1.9mm to 2mm.
Usually this kind of construction requires set up at 4mm at 12th fret on basses and 3.75mm on the treble side. I mistakenly grounded the saddle too much, and the action was 2.9mm at basses and 2.7mm at trebles, there was not even slight distortion. Now it has proper clearance which is 4mm and 3.75mm at trebles.
Thank you for looking at my website.

“You’ve got to play it to believe it.”

Features:

Back and Sides: Cocobolo Rosewood, Blood Wood Binding
Top: Western Red Cedar
Top: Radial Bracing with open harmonic bars
Brazilian Rosewood Bridge, Tie Block Inlay with White Mother of Pearl
Spruce and Cedar tentellones used around top and on all top brace ends
Solid Cedar lining back and sides
Neck: Cedar, Traditional Spanish Heel and V jointed Head Stock
Neck thickness 21 mm at first fret ,23mm at tenth fret
Scale: 650 mm
Gold Evo fret wire
Fingerboard: West African Ebony
Machine Heads: Alessi Tuners
Finish:French Polish
Width at nut: 52 mm tapered to 63 mm at 12th fret